Wendy Marijnissen: A Year In Pakistan

Based in Antwerp, Wendy Marijnissen is a freelance documentary photographer from Belgium, who has a career in looking for, and reporting on, stories with a social context. She completed a long term reportage in Israel and Palestine, using music to show a different part of daily life in this stressful and violent region. She's currently working on a new project about childbirth and maternal mortality in Pakistan, of which some of her compelling photographs can be seen in the above movie.

Another of Wendy's compelling photo essays is on the dai. A dai (or dayah in Arabic) is a traditional midwife or birth attendant in the Middle East, and Pakistan. Midwifery skills are usually passed on from generation to generation and most practitioners have had no formal training.

The unhygienic conditions in which the dai work, their lack of education and the delayed referral to hospitals in case of complications are the major cause for the high maternal mortality rate in Pakistan.

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Akhtar Soomro: Pakistan

Photo © Akhtar Soomro/Reuters-All Rights Reserved

Full Focus, Reuters photo blog, seems to be regaining its footing amongst the remaining other large image photo blogs, and has recently featured the work of Pakistani photojournalist Akhtar Soomro.

Born in the Lyari neighborhood of Karachi, Pakistan, Akhtar graduated from the Government College of Science and Technology with a degree in engineering but photography beckoned, and he started working for a studio covering fashion, industrial and interior design, and subsequently for an advertising agency.

He has since shot assignments for local and international newspapers, magazines and stock agencies around the world. In 2009, he was part of a New York Times' team that won a Pulitzer for its reporting from Pakistan and Afghanistan.

Most of Akhtar's impressive photographs in the Reuters feature are of refugees of the floods, and of displaced people from the Swat Valley...but it's the one above that caught my eye. Its caption informs us that a flood victim baby sleeps in a hammock as a man reads the Koran during Eid-al-Fitr celebrations while taking refuge in a relief camp for flood victims in Sukkur in Pakistan's Sindh province on September 11, 2010.

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Reuters: Best of the Year Photojournalism

Photo © Adrees Latif/Reuters

It seems that we're at the time of year when many of the news magazines, and large photo-blogs will soon be featuring their "best of the year" photographs. The first of the bunch is Reuters which is showcasing some 55 photographs.

Reuters photographers produce over half a million images every year. Some pictures define an event, others capture a moment revealing an aspect of the human condition. What's really neat this time is that each photographer describes the event which he/she photographed along with technical details.

My favorite photograph is the one above by Adrees Latif made during relief supplies being delivered to flooded villages in the Muzaffargarh district of Punjab in Pakistan. It's one of these photographs that tells is all...the struggle for survival, the physicality of despair...

By the way, Adrees tells us that the elderly man with a white scarf around his neck, managed to hang on to the hovering helicopter and was pulled to safety.

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MediaStorm For CFR: Pakistan

Here's Crisis Guide: Pakistan (click on image), a magisterial multimedia production featured by The Council of Foreign Relations and produced by MediaStorm.

As we all know, Pakistan is critical, if not the most critical country, to the national interests of the United States, and yet it's misunderstood and viewed through a prism of apprehension and, from some quarters, of distrust.

The concern over its stability with the current escalation of drone attacks on its tribal areas, the horrific human toll following the recent floods and its geographical and ideological positioning underscore its importance. The New York Times reported last night that international lenders estimate that the floods in Pakistan caused $9.5 billion in damage to its infrastructure, agriculture and other sectors.

According to MediaStorm's web page on the project, it was challenged to create an immersive website, which allowed the user to focus on the complex history of Pakistan and the issues facing the country.

One of the CFR interviewees makes the point that Pakistanis fault the United States' support of Afghan insurgents to battle the Soviet in the 1980s, who fled to neighboring Pakistan when the US invaded Afghanistan in retaliation for the 9.11.2001 Al Qaeda attacks.

I found this is a production that cannot be assimilated, nor reflected on, in a single sitting...it's best viewed over time...bookmark it....it's worth keeping it and returning to it every now and then. Having said that, no production (whether immersive or not) can really explain the complex intricacies that are at play in Pakistan. It's facile for pundits (whatever their political and ideological agendas) to postulate their views...but these will still fall short of reality.

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NYT: Pakistan Floods By Tyler Hicks

Photo © Tyler Hicks/NY Times-All Rights Reserved
The catastrophic flooding of the Indus is considered as Pakistan's worst natural calamity, which has ruined almost every infrastructural aspect that connects the country together — roads, bridges, schools, health clinics, electricity and communications. The destruction is also estimated to set Pakistan back decades, will weaken its feeble civilian administration and add to the burdens on its military.

The New York Times has recently featured Tyler Hicks' compelling photographs of the disaster in Pakistan's Floods, as the one above of two young girls quenching their thirst at a water pump in Sukkur. It's said that 20 million people have been affected by the floods; a number of people equal to the population of New York State.

According to the New York Times, a joint study from Ball State University and the University of Tennessee, puts the total cost of the flood damage at $7.1 billion. That is nearly a fifth of Pakistan’s budget.

I sense an apathy amongst the Western and Islamic nations to assist Pakistan in its difficulties. Is it because of the widespread perception (or knowledge) that the Zardari's government is riddled with corruption and cronyism, and thus may divert some of the aid? Or is it Islamophobia? Or is simple donor fatigue after Haiti? I tend to think it's all of the above and perhaps more.

And while I'm on the subject, is it only me who now increasingly relies on foreign cable news like China Network Television (CNTV) and RT (the Russian 24/7 English-language TV) for in-depth international news??? The added bonus of course is that these stations have no interest in Glenn Beck and the repellent clowns of his ilk as does CNN, MSNBC, et al.

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NPR: Ed Kashi On Pakistan

Photo © Ed Kashi/National Geographic-All Rights Reserved
Apart from joining the agency VII, Ed Kashi was also featured on NPR's The Picture Show in a piece titled On Photographing Pakistan. He also has more of his photographs on the National Geographic blog.

Ed Kashi's objectives were to show how the people of Punjab live, and how millions of Pakistanis just try to live their lives despite the threat of religious fundamentalism, especially as it's also home to the peaceful sect of Sufism.

I had the pleasure of meeting a number of young Pakistani women photographers at the Foundry Photojournalism Workshop in Istanbul just last week or so, and I was amazed at how they just lived their lives to the fullest, worked and crafting their impressive body of work seemingly unperturbed by the events that get reported in our mainstream media.

The above photograph was made at the mosque of Badshahi in Lahore, which is the second largest mosque in South Asia and the fifth largest in the world. The way Ed Kashi photographed the scene by slightly tilting the camera seems to be giving motion to the barefooted man and his cane. Nicely thought out and it gives a different perspective to the mosque which must've been photographed countless times.

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NPR: The Grand Trunk Road

The Grand Trunk Road played an important role in India's history at every step of its way. Some 3500 years ago, with the Aryan invasion of the subcontinent, it served as a corridor starting at the Khyber Pass winding eastward between the Himalayas and the Thar Desert onto the Gangetic plain. Hinduism, Jainism, Sikhism, and Buddhism spread through it, and Muslim proselytizers traveled on it. Since 1947, Pakistan controls the 300-mile segment between Peshawar and Lahore, while the remaining 1,250 miles link six Indian states, making it lifeline of northern India.

Nowadays, the road used by Alexander the Great, Ibn Battutah, Mughals invaders and other conquerors and the just curious, is ruled by truck drivers roaring through countless tiny villages.

NPR features a hybrid multimedia project in which its journalists travel the route and tell the stories of young people living there, who make up the majority of the populations in India and Pakistan.

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Marc Wattrelot: Balochistan

Photo © Marc Wattrelot-All Rights Reserved
Here's a timely feature brought to us by Foto8 showcasing the work of photojournalist Marc Wattrelot titled Divided Desert: Balochistan.

The blurb that accompanies the slideshow informs us that Balochistan extends over 350,000 square kms (approximately the size of Germany) and is the largest province in the Pakistan Federation. About 7 million people live in Balochistan; a mixture of consists Iranians, Pakistanis and Afghanis.

It's the often-heard story: a region rich in natural resources, its people among the poorest, the Punjabi central government rife with corruption and nepotism, give rise to a resistance movement striving for autonomy.

It's timely because the remnants of Al-Qaida may well migrate to the hinterlands of either Pashtunistan and Balochistan. All the ingredients for major trouble exist in this region in the coming months and years to come, so as I said, a timely feature. I don't always agree with Robert D. Kaplan's political slant, but he has penned a thought-provoking article on the Baluchi issue in the May 2009 issue of The Atlantic, which explains the volatility of this region.

Interesting photographs, but irritatingly repetitive audio...!!!

Foto8 describes itself a space to share, comment and debate photography.

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LENS: Tyler Hicks & The Tabligh

Photo © Tyler Hicks/NYT-All Rights Reserved
It's been a while since I featured a war-related photojournalism piece, so I thought The New York Times LENS blog brought us a couple of days ago an interesting On Assignment gallery from Tyler Hicks on the Tabligh Jamaat.

I like the clever way the photographer framed the above image, as he had to photograph surreptitiously and very quickly because photography was banned from the Tabligh gathering for religious reasons.

Wikipedia describes the Tabligh (which means "conveying of message") movement as an apolitical religious movement, whose principal aim is reformation of Muslims, and was founded in India by Muhammad Ilyas as a voluntary, pacifist and independent movement.

The New York Times reports that it's "a missionary movement that spreads revivalist Islam through its followers, who travel the world on preaching missions. The movement convenes in Raiwind, Pakistan, once a year. Attended by as many as 1.5 million people, it is the largest gathering of Muslims outside the annual pilgrimage to Mecca."

American authorities believe the movement incubates "jihadists".

For further reading, The New York Times has a 2007 article here.

Note: For stereotype busting, have a look at Matthieu Paley's fascinating coverage of the annual Lal Shabaz festival when over one million Sufis, devotees and onlookers, join this chaotic pilgrimage which cannot be more different than the austere Tablighi gathering.

Yes, folks...one person's Islam is not another's, even within neighboring countries.

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WIRED: Kanepari & Ferguson

Photos © Adam Ferguson (L)/Zackary Canepari (R)-Courtesy WIRED

"The photojournalist has long been known as the lone wolf, traveling solo to the far-flung corners of the world to document experiences few are capable of seeing. By function, it’s often a solitary quest, lonely and alienating; rarely as romantic as the photographs make it appear."

What a great start for the Raw File article written for WIRED by Bryan Derballa!

The article deals with the friendship and healthy competition between Adam Ferguson and Zackary Canepari, two immensely gifted photojournalists working in Pakistan, India and Afghanistan. It appears that they helped each other, and edited one another’s work, always hoping to improve its quality.

WIRED's Raw File's article is in essence two interviews: Ferguson giving his views on Canepari's work, and vice-versa. Quite an interesting read...naturally, they pat each other on the back, but that's what friends do, especially those whose camaraderie withstood difficult circumstances.

Both photojournalists are content to be doing what they want to do at this time. Canepari is back in California pursuing personal projects, while Ferguson is still shooting in Afghanistan.

Zackary Canepari was featured on TTP a few times, and Adam Ferguson's work in Orissa was featured here.

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Tyler Hicks: The Battle For Pakistan

Photo © Tyler Hicks/NYTimes-All Rights Reserved
A superb photojournalism feature published by The New York Times of photographs by Tyler Hicks appeared on its website late last night.

The title of the multimedia feature is The Battle For Pakistan; a title which I find rather exaggerated, as it really is about South Waziristan. Having said that, the area which may well be the toughest challenge for the Pakistani military in its war against an insurgency.

South Waziristan is home to Baitullah Mehsud, who -according to the accompanying article, leads the Taliban in the area and has engineered many suicide bombings in recent years.

The article by Sabrina Tavernise (and Ismail Khan) ends with an ominous quote by a top bureaucrat for the tribal areas, who says: “Militancy is like a monster. Even if only the tail is left, it will grow again from there.”

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Pakistani Cinema: Zackary Canepari

Photo © Zackary Canepari -All Rights Reserved
TIME Magazine features a photo essay by Zackary Canepari titled The Last Days of Pakistani Cinema.

It's a welcome change from the current run of the mill photojournalism which we normally see in the mainstream media. I've had enough of seeing photographs of frightfully scary Islamic mullahs, with black beards and betel-stained teeth, which seem to delight photo editors, and are standard fare in our newspapers. So I cheer when I see diverse photo reports such as this one.

It seems that in its heyday years, during the 1970s, the movie studios of Pakistan churned out around 200 movies a year, but that has dwindled to a fraction because of the growing accessibility of Hollywood and Bollywood films. It is also threatened by the increasing potency of the Taliban in the northern parts of the country.

Zackary Canepari's toned photographs are always interesting, and he has done it again with this collection. I found some of the actors' photographs hilarious.

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Jodi Hilton: Pakistan's Kalash People

With all the news of Pakistan these days, I thought I'd feature the work of a talented freelance photographer which documents the life of the Kalash people.

Jodi Hilton is a freelance photojournalist based in Cambridge, MA. She works for newspapers and magazines such as The New York Times, People, TIME, The Guardian and others. In 2002, her Master's project Return To Eboli was published in the National Geographic Italy.

Jodi has a number of galleries on her website, but the one that attracted my attention is the one of the Kalash culture. The Kalash are an ethnic group of the Hindu Kush mountain range, residing in the Chitral district of the North-West Frontier Province of Pakistan. They speak the Kalash language, a member of the Dardic family of Indo-Aryan. Non-Muslims, the Kalash adhere to their own religion, whose mythology and ritual strongly resemble those of the Vedic (Hindu) Indo-Aryans and the pre-Zoroastrian Iranians.

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Alixandra Fazzina: TIME's Pakistan Essay

Photograph © Alixandra Fazzina-All Rights Reserved
A paragraph in the TIME magazine article titled How Pakistan Failed Itself starts off with this:

Pakistan is a complicated country, one of religious and political diversity, fractured by class and ethnicity. Pakistanis like to quip that they have a population of 170 million — and as many different opinions.

It is accompanied by Pakistan Under The Surface, a slideshow of photographs by Alixandra Fazzina. The thrust of the article and photographs deals with the notion that in reality there are two Pakistans; one that is secular and "Westernized" while the other is under the growing influence of the Taliban or local Islamic orthodoxy.

Alixandra Fazzina's photograph of an Afghan woman nursing her child, not only won The Travel Photographer's Photo of the Year, but won innumerable other (and more important) awards. However, this photo essay gave me the impression that the photographs were chosen haphazardly with no logical sequencing, and thus trivialized the issue. All I really saw was images of young women clubbing in Karachi and others of chador-clad women living in squalid conditions (as the one above)...the work of a photo editor whose knowledge of Pakistan and its issues is superficial at best.

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Zackary Canepari: Turning To Madrasas

©Zackary Canepari/NY Times-All Rights Reserved
I like Zackary Canepari's photographic style. Here's a gallery of his photographs documenting for The New York Times a few of Pakistan's madrasas, or traditional Islamic schools, that teach, feed and occasionally house children of the poorest familiest. Whether in Pakistan or elsewhere, some also teach a militant brand of Islam, offering no instruction beyond the memorizing of the Qur'an.

The article written by Sabrina Tavernise is interesting because it provided the background and the root causes for the growing popularity of madrasas in Pakistan; these can be applied to virtually everywhere else where there are such schools. Here's a quote from the article which is illuminating:

"Though madrasas make up only about 7 percent of primary schools in Pakistan, their influence is amplified by the inadequacy of public education and the innate religiosity of the countryside, where two-thirds of people live."

To that, I'd add the condition of extreme poverty of the families and communities that live in the areas where such schools exist. It is therefore right for the Obama administration to address the Pakistani government's inability to deliver basic services such as schools, health care, rule of law, etc. The Pakistani government has left a dangerous void, and politico-religious elements have been quick and adept in filling it.


Posted by TTP's non-robot from London

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Zackary Canepari: The Heart of Punjab

©Zackary Canepari/The New York Times
The New York Times featured the work of photographer Zackary Canepari in a slideshow titled The Heart of Punjab. His above photograph is of young students at a seminary school in Dera Ghazi Khan, a gateway both to Taliban-controlled areas and the heart of Punjab.

One of the key captions in the slideshow comes from the accompanying article:

"The Taliban in south and west Punjab exploit many of the same weaknesses that have allowed them to expand in other areas: an absent or intimidated police force; a lack of attention from national and provincial leaders; a population steadily cowed by threats, or won over by hard-line mullahs who usurp authority by playing on government neglect and poverty."

The accompanying article is by Sabrina Tavernise, Richard A. Oppel Jr.and Eric Schmitt.

In the same vein, PBS featured Children of the Taliban on its FRONTLINE/WORLD program on April 14, 2009.

More photography from Zackary Canepari on TTP (LINK)

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Matthieu Paley: Lal Shabaz Qalander Festival

Here's a multimedia feature by Matthieu Paley titled Pakistan's Love Parade. I initially thought it dealt with a Pakistani gay parade of some sort, but it turned out to be a remarkable (and lengthy, at almost 12 minutes) reportage on the annual festival of Hazrat Lal Shahbaz Qalandar when, as writes Matthieu:

"For three days and nights, over one million Sufi pilgrims, devotees and onlookers join an infectious chaos of swirling and dancing; a firework of emotions and sensations; non-stop rhythmic drumbeats echoing through a heady hashish haze."

What an incredible way to describe it! I certainly wouldn't need the hashish to be exhilarated by the sound, sights and smells!

A bit of background: Hazrat Lal Shahbaz Qalandar (1177-1274) was a Sufi saint, philosopher, and a poet, born in Afghanistan and who settled in Sindh (Pakistan). He preached religious tolerance among Muslims and Hindus, and is buried in the dusty desert town of Sehwan Sharif, where thousands of pilgrims visit his shrine every year. Hindus and Muslims alike express their devotion through trance dances and devotion for Lal Shabaz Qalander, who is considered as one of Sufism’s most venerated saint, whose message of love and tolerance some 800 years ago still powerfully resonate with his followers.

Matthieu Paley is an Asia-based (living in Hong Kong) photographer specializing in editorial and documentary photography. His work appeared in Geo, National Geographic, Newsweek, Time, Outside, Discovery and various others.

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The Big Picture: Scenes From Pakistan

Photo © AP/Emilio Morenatti-All Rights Reserved
The Boston Globe's The Big Picture is consistent in bringing remarkable photographs from various sources and covering interesting current events. It recently featured Scenes From Pakistan following the country's announcement that it would accept Islamic Sharia Law to be implemented in its Swat Valley region, as part of a truce with local Taliban leaders. In this particular feature, it acknowledges the artistry of AP photographer Emilio Morenatti. Emilio was named Newspaper Photographer of the Year by Missouri School of Journalism for its Pictures of the Year International competition.

The above photograph is of a Sh'ia Muslim worshiper receiving medical care in a clinic, after flagellating himself with knives in a procession in Rawalpindi, Pakistan.

While in Kochi a few days ago, I met a young shopkeeper who had participated in a Ashura procession in Bangalore. He showed me a short video clip recorded on his cell phone of his bleeding profusely from the head, and he solemnly assured me that his wounds healed miraculously within two hours.

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New York Times: Talibanistan

Photograph Lynsey Addario-Courtesy NY Times
It's been a long while since I've seen an intelligent and interesting article published in the New York Times' Sunday magazine, but Talibanistan (Right At The Edge) by Dexter Filkins (accompanied by the black & white photographs of Lynsey Addario) in this week's magazine is really a chilling read. Naturally, I would've liked to see more of Addario's intense photographs (perhaps also in larger format), but this article competes with the best of the British or French photo journalistic magazines.

It's quite a lengthy article, which goes into details of the situation in Pakistan and its borders with Afghanistan, and sheds light on the double-play by Pakistan's military and intelligence agencies that are simultaneously helping the Taliban, and taking money and aid from the United States. In other words, we're being played for suckers.

In summary, the reasons for Pakistan's double-play are: (i) it sees Afghanistan as an area of competition against India, its main rival-adversary and sees the Taliban as a counterweight to Indian influence, (ii) the growing popular hatred of the United States, and (iii) the Pakistani army is really incapable (and unwilling) to fight an insurgency in the tribal areas. Why should Pakistan extinguish the Taliban factions in their northern provinces if their very strengthening presence keep United States money flowing in the country's coffers?

Now what I'd like to see is a similarly candid article on the situation in Iraq, where we're paying millions of dollars on a monthly basis to the Sunni tribes so they don't kill our troops. Shining a light on the pervading corruption in Iraq would also be welcome. Next week...Sunday Times Magazine?

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Kate Orne: Pakistan Brothels

Photograph © Kate Orne-All Rights Reserved
To highlight the Foundry Photojournalism Workshop starting in Mexico City this coming Monday, I will focus this week's The Travel Photographer blog posts on various photojournalists and their work. This is the second in the series.

Kate Orne is a New York-based photographer who worked amongst the neediest people in Afghanistan and Pakistan over the past seven years. Her mission was to use her craft to fight against indentured slavery and to support the wellbeing of women, children and animals. She worked on several essays on indentured laborers in South East Asia, on victims of domestic abuse, on Kabul orphanages where children lack basic facilities, maternity wards without basic care and imprisoned women.

Her website has a number of galleries, documenting the brothels in Pakistan, the maternity hospital and orphanage in Kabul, refugee camps in Pakistan and Afghanistan, and the red light district in Mumbai.

I thought her work on the brothels in Pakistan as her most powerful and thought-provoking, as it highlights the paradox that exists between the sex industry and Muslim fundamentalism in this part of the world.

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